Cash From Your Camera - seeing Your Place and production Money From Stock Photography

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Digital photography has made stock photography simpler and easier. Production cash from your camera has become a possibility to thousands of amateur photographers. But, the examine remains how do I do it and where is my place in this lucrative market? This article will help you find your place in the market.

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There several things you need to know about yourself before you can seriously enter the very competitive field of stock. If you don't you'll find yourself competitive in areas that are dominated by top photographers resulting in wee to no wage for yourself. Here's what you need to know in order to gain a foothold.

1. Get to know yourself

This may sound very cliched but it is very true and underlying to you getting in any place in Production money from your photography. Who you are as a person will resolve what you like and what you passions are. If you aren't passionate about the images you love it won't come out in your photography. You won't spend the important time in creating them and focus on your strengths and expertise.

2. Get to know your strengths

By knowing your photographic strengths and weaknesses, you can zero in on your strengths and discard your weaknesses. Although, it may be important to find ways to advance your areas of weakness. It is pointless thinking that you are a great landscape photographer when you don't compare with the others in the business.

3. Get to know your weaknesses

These are the areas that will let you down in any business venture and even more so in your photography. If you haven't any idea that you can't de facto shoot a singular genre of photography you'll continue to deliver sub-standard images.

Now this is all well and good but unless you know how to inspect who you are and what drives you in your photography, you won't get anywhere. Here's a vital practice for you to work on to help inspect your photographic heartbeat.

4. Get to know your photographic heartbeart

Cut up some pieces of paper and starting writing answers to these questions. Label two containers One and Two. Now start answering the following questions. One rejoinder to each slip of paper.

a. What is your career? What is your dream career? What vocation are you working towards.

b. What hobbies or interests do you have? Stamp collecting, trainspotting or dog training.

c. Write the subjects of the magazines you subscribe to on a regular basis.

d. When you go out on a photo shoot where do go and what types of photos do like taking. People, cars, sunsets etc.

e. Look straight through your photo albums and look for a base theme that runs straight through your images and write it down.

f. What subjects do like watching on Tv? Jets, boats, animals, birds etc.

g. Who do you know that has a unique or specialised vocation or hobby? A dancer, radio presenter, paramedic etc.

h. Write down all the major geographical features (mountains, hot springs or lake) and any manufactured structures (bridges and buildings) close to you.

i. What city or area do you live in.

Write all of these subjects, hobbies, careers etc. Down each on its own slip of paper and place them in box One. Now check and see if any of the following subjects are in your box One.

Landscapes, sunsets, cuddly pets or animals, birds, flowers, insects, tourist sites, historic landmarks, silhouettes, sports, abstracts, arty images, seascapes, hands, feet, eyes, fashion, computers,

If they are then take off them and place them into box Two. box Two now has the areas of maximum competition. These are the areas where you will find an oversupply of images and unless you are top in your field you'll make the least sales. So what do you do now with the papers that remain in box One? You have discovered your photographic identity. Give yourself a pat on the back.

Now that you know who you are you need to do some more sifting. Now you need to be rational. Which of the remaining items are not de facto a possibility? Your neighbour is a scuba diver or police officer and both are impractical for you shoot due to equipment or legal restrictions. take off them from box One.

Next on your extraction list are those areas that are niche type markets or areas that would have wee interest. Eliminate those as well. You should be down to far fewer subjects in your box One. Now on to the final elimination round.

Which of the subjects or areas that are in your box One are of no interest to you? Which ones don't you have easy access to and are not within your immediate budget? Which ones have a lot of competition? Is your knowledge wee in any of the subjects? Place all of these in box Two.

Now it's down to the wire. Take the remaining subjects in box One and prioritise them in order of interest, sales inherent and your knowledge. Now take the top three or four and put them to one side and put the rest in box Two. You now have your top possibilities for a stock photography business. These are the areas of your interest and best potential.

All your available time and resources should go towards developing your skills and ability in these areas. Combine on shooting photos within these spheres and you will be soon be Production money from your camera.

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